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Orava Castle, is situated on a high rock above the Orava river in Slovakia. The castle was built in the Kingdom of Hungary in the thirteenth century.
Orava Castle was owned by many aristocrats, county heads and noblemen, protecting important road to Poland and serving as an administrative and military centre for the region Here's the full castle from a distance https://i.imgur.com/7oOVxB2.jpg Just outside of Tbilisi, Georgia, the European country you'll find the Zhinvali Dam and Reservoir. It was completed in 1986, several years before the fall of the Soviet Union.
At the dam head there is a huge and rather strange monument to celebrate the event which consists of an enormous slab of concrete with figures embossed on it and enormous steel spikes. https://i.imgur.com/KxCMUXg.jpg https://imgur.com/a/oqjsV #4002 Nice!
#4004 Wow! Very quakey. There's a lot of strikingly odd monuments from the soviet era but I didn't know this one. .... that most of the images people post here are of giant imposing structures. All fine and good. I love this.
But when I make some giant imposing structures in a map my scale is all "wrong" and my map needs to be "smaller, tighter." 8-{ Brutalism is very difficult to do well dumptruck. Brutalist architects often face similar criticism. It usually goes wrong when a designer only thinks about their product in terms of overall scale (i.e. they just make shit big), because good Brutalism is more "complex maths" than just "big numbers".
Vast spaces and imposing structures are awesome but aren't much fun to play in. Most games seem to solve this by making such spaces/structures occupy the backdrop and/or keep parts out of reach of the player (like the cliffs from half-life, for an extreme example). The worlds of dark souls and bloodbourne seem impossibly vast and full of towering buildings, but remove anything that isn't a space the player can occupy and you're left with a much smaller area tailored for gameplay.
Scale is probably the single hardest thing to get right for me and is why I greybox everything and don't even think about art until the space is correct. In my test map, cartographer's nightmare I tried to make spaces feel large while limiting the play space. For instance, the largest space isn't even playable and is first seen by the player while he is in one of the tightest spaces. Other examples include being able to see multiple stories while being confined to a tight footpath, and an 'infinite' ceiling forever out of the player's reach. Despite these tricks, one of the criticisms I still remember is that the spaces were too claustrophobic and the player felt like he was always about to "hit his head". Go figure! tldr: scale is one of the most important factors in gameplay and therefore one of the most difficult to get right. You have to start small until you get gameplay right, then make things bigger. From small to big, that is what works for me.
https://www.reddit.com/r/outrun/comments/78176c/red_haze/
Not so Quakey, but damn if that's not a cool picture Just found out about this guy, why didn't I know about him before?
http://70sscifiart.tumblr.com/image/166945384443 https://www.blackgate.com/wp-content/uploads/2014/01/Bruce-Pennington-The-Shadow-of-the-Torturer.jpg http://www.brucepennington.co.uk/bpenn15.htm http://visualmelt.com/Johfra http://ultan.org.uk/claw-conciliator-pennington/ great stuff but one of those links is for a different artist named Johfra Bosschart.
I hadn't heard of either artist before. I failed to recognize that in my flurry of copy/pastes, but I guess you all get bonus inspiration
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