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BSP2 and enhanced limits would be nice.
Specific protocols from other engines will likely not happen, and I'll probably develop a custom protocol tailored to Retroquad's specific features. Also, hardware-accelerated engines will always be a better choice for multiplayer. The only part of the BSP renderer still missing HD texture support is the scrolling sky renderer. There's also a bunch of usability improvements and some other stuff to do in the texture code, and the texture format still needs some changes & additions. The palette management subsystem needs some big changes that will allow the implementation of a new color selection algorithm which should be more accurate in some cases, and also allow for colored lighting. Decal support?
Also I was thinking that the tech that you've got in retroquad would make for a great 8 bit paint. Not very many programs let you paint with a palette with opacity. Proper decals would take a lot of work to implement, and would slow down the renderer even more.
A more possible alternative would be to implement stainmaps similar to the ones in Darkplaces, but it's not in my plans yet. Hmm, I didn't think about using it for 8-bit painting before. Nice idea. The closest I had thought about was to create a modified version of the texture compiling algorithm as an alternative dithering method for quantizating standard 2D images (converting TGAs to PCX, etc.). It would be interesting to compare against usual 2D dithering methods such as Floyd-Steinberg. if you're still using a surface cache, you could try painting your decals into that. That should make them free other than for adding/removing them(or when dlights are around).
I believe this is the way halflife did them. (stainmaps suck) regarding 8-bit painting, increase the lightmap resolution and just megatexture the entire map! Retroquad's surface cache only contains light levels, not texture data, and because of this there's no way to paint a decal texture into them. Lighting & textures are combined in realtime, per-pixel.
Also, decals aren't strictly necessary to achieve a cohesive visual style - they're an addition, not an improvement per se. Part of my main focus is on making the engine easier to produce content for, not on raising the amount of content to work on. But it will always be possible to use sprite-based decals like the ones in Scourge of Armagon. that's a clever use of soft depth effect, i've usually only seen it for liquids/smoke.
question, does it look good in motion or does the parallax give it away? Mankrip I mean, will you be able to see that the sand is either floating over the floor or sunken beneath it, due to parallax?
Are here any worthy screenshots:
http://i.imgur.com/90sPB7K.png http://i.imgur.com/bW9vqW2.png http://i.imgur.com/cXuLMWp.png http://i.imgur.com/kHITt10.png http://i.imgur.com/CTVbjrE.png ? Looks very interesting. Unique geometry and feel to these. That rotunda in the first few screens reminds me of a roulette wheel.
That is some crazy central cylinder thing you got going there. I also like that sewer shot with an apparent gold key door. Nice work, keep us updated!
Yes, it looks a bit floating over. But if you look from an angle parallel to the floor, the sand will look fully opaque, because there won't be any surface near it from behind. The depth is calculated from the view plane.
I have an idea for properly multitextured surface blending, which would be way faster to render, but it's also too complicated to try at this moment. drow: It looks good, but you could use different texture themes for each side (medieval/metal/etc.), instead of changing the colors only.
Kres: Really bloody good. Water in Quake doesn't look good enough in pitch black areas, though. It may look better if you try to align your rivet textures in the floor grid in the first shot: they should follow the angle of the metal pieces that make up the shape (dodecagon?).
Other than that, it is looking good. I'd be more inclined to use a more basic texture to avoid filtering seams and sliced rivets. There's a metal texture that's the same background but without rivets that might work better. Or is that one I made myself?
I've got no time to finish this at the moment, but I'd really like some opinions:
download screenshots The floor on the exit to Shub-Niggurath's Pit is crap, I was doing an experiment that turned out bad and scrapped it. Also, the lava texture is wrong because there was a custom texture wad in the BSP compiler path. Two obvious things:
1. the painted-on doorway trim in shot two does not look good (and Shambler hates painted-on trim), and the trim itself doesn't fit the width of the brickwork 2. in shot four, the brickwork of the transom is wrong on the left - the last brick on the left should overlap the pier below it (as it does on the right) otherwise it has no bearing strength 2: I agree, but I didn't want to change the proportions of the geometry too much to fix that.
Those columns are connected to the iron bars of the ceiling, and the fireplaces are centered between both columns, so to fix that I'd have to move the fireplaces and change the relative proportions of the wooden areas of the ceiling. But I'll play around with the proportions to see which looks better: extending the transom, or shortening it. 1: The thing is, the design of the original doorway from the main hall to the episode 2 corridor is almost impossible to salvage: screenshot. It was likely supposed to represent a toroidal arch, but Quake's BSP format doesn't support the kind of texture projection that would be needed to perfectly align the texture on all edges of such a thing. So, I decided to reshape it using a mix of curves and square angles, keeping the textures continuous along the curves, and changing them along the square angled edges. With that in mind, I've also shaped it in a way that allowed most of the doorway to retain the original texture. I'm not sure what you mean by the trim not fitting the width of the brickwork, but its proportions are exactly the same of the original doorway. In the original, the tiles in the lower steps were also cut in half by the doorway. There's no way to fix that without making the tile alignment change across steps, and I don't have a better idea. There's a great challenge in trying to figure out what exactly some of the geometry in the original maps are supposed to represent. Trying to achieve a clear representation without deviating too much from the original design is a really interesting exercise. The area where I took the greatest liberty was the path to Shub-Niggurath's Pit. The original was just a bland underground corridor with the same texture everywhere, but I thought that turning it into a proper underground cave would be more fitting. I've added wooden beams to make the steps of the staircase more noticeable, used a darker texture in the inside of the cave to give it a heavier atmosphere, emphasizing its "hidden underground" nature, and made the shape of the cave start wide and short, and end thin and tall, to emphasize the transition from the realm of humans to the realm of an elder goddess. I've also raised the ceiling of the room with the portal to Shub-Niggurath's Pit to put it in pitch black darkness, thus matching the ceiling of Shub-Niggurath's room in the end map. I did not remember how bad the original texture alignments were until I looked again just now. Oh, my word, they're bad.
The bit about the texture not fitting the brickwork is that the texture is based on circles and the circle is offset on the column. It just grates the eye; neither the circle, nor the enclosed diamond shape is centred on the brickwork. I guess the brushes were created without reference to the texture that would be used, and then the textures applied later at the default alignments. Also, now I look at it again, it is a totally inappropriate texture for a doorway anyway. If I had decided to rebuild (not that I would) , then I would automatically correct those types of errors. ('error' is my choice of word as no builder worth his salt would choose to use an eighth of a brick with seven-eighths; they would use two four-eighths or one whole brick. Although Quake is a fantasy world, the architecture must still make sense.) Nevertheless, good luck with the rebuild. Although Quake is a fantasy world, the architecture must still make sense
No. Maybe it's more believable to some but not necessary at all and limiting to have to create "realistic" architecture. Think about void maps like HipDM1 or the space maps of Quake 3 Arena. Those really defy all logic but they are fun. I only play Q1SP.
When I say it needs to make sense, I mean that an ogre who can make a chainsaw capable of slicing your head clean off your shoulders, would not be so naïve as to not lay his bricks in proper, off-set, courses to ensure good bonding and load bearing strength ;) But I suspect that we may have to disagree on one point: I don't think that 'making sense' is necessarily the same as 'realistic'. The best maps (imo) have fantastical architecture that, nevertheless, makes sense i.e it won't all fall apart with the first grenade explosion. I see you've been reading "Better Caves & Crypts" magazine for those Orge bricklaying tips and tricks. Cheers!
Because I stumbled into this awesome conversation I would like to say the following:
In one of the levels I've been working on, and maybe this is just a form of narcicissm as my theoretical builders suck at modern (Quake) design techniques, I think the builders, even if they were Ogres, did such a good job building, that it is kind of a shame to kill them. Alas, that's what the level is there for. Maybe I'll try to incorporate a merciful "no kill" alternative gameplay where a Ring of Shadows is always available within proper timing, if you can find it based on hints. But I swear at least some of those Ogres really can do infrastructure right... I just watched the Daz stream of your Zerstorer Jam entry the other day. WTF was that level?
Amazing... that's what. I digress... I think we should refrain from culling the Ogre herd until we can be sure there will be enough for the species to survive. I've read at least one theory that those chainsaws were originally designed to cut bricks. Makes sense to me. Grenade launchers were originally "mortar" guns that spewed uh... mortar. In a bureaucratic mix up, the term mortar was confused and explosives suddenly were introduced into their construction routine, to catastrophic results. The rest, as they say is history. You're right about Better Caves & Crypts, I was given a subscription as a retirement present a few years back, and it has had a bad influenced me over me ever since
And I love the ogre chainsaw theory - mortar/mortar - brilliant. Tronyn: having used some (plenty) of your mapwork in some of my released maps - A Roaming Wildebeest in Spain comes to mind - I would describe your maps as great examples of fantastical architecture that always makes sense. Please keep mapping. Sliced rivets always look very wrong to me. I've never seen less than a full rivet in real life.
Any time a texture with rivets spans across two surfaces and rivets fall on the seam, then it should align perfectly. If the texture ends at a seam, it shouldn't end in the middle of a rivet. This is not always possible to avoid, but should never be allowed in an obvious location. Hidden in darkness or where a player is not likely to see is okay. I'm using a ton of the rivet texture in my current map. Trying to avoid "splitting rivets" is challenging. I've been tempted to fire up photoshop and make a rivet-less version of the texture to use as a clean-up for those edges. With content aware scale - this might be possible to do without too much pain.
It doesn't remind me of E1M3, but that's fine.
I'd put some stone faces in the walls. Well, inspired is the key word there. ;) There are tons of stone faces. One directly behind the player in this shot. I still have a few weeks to go but looking forward to wrapping this one up. Almost finished with the first pass at gameplay. This will be my second SP map for Quake - I've learned a lot. How did you recreate your start map BTW? Did you do it by eye? If so, very nice. Well, I've just opened the GPL version released by Romero and started overlapping the original brushwork with my own to get the proportions and the positions right, deleting the original brushes afterwards. There's also a lot of brushes where all I did was adjust the position & scaling of the textures to align them. It's not a full remake.
Oh, I have the map sources. I thought GPL meant something special about the file he has, but I guess it's just referring to the GPL license?
Alright so here's a beta of my second proper map, for Arcane Dimensions. Some info:
- Metal/tech theme with some otherworldly bits. - Coagula style, with horde- and vertical arena combat. - Skill 2 is meant to be pretty chaotic and hard. For warning... if I did my job right, anyway. - Final area could probably most use some additional balance and tuning, I think. Link: http://www.quaketastic.com/files/single_player/lpspad-beta.zip Couple of screenies: http://www.quaketastic.com/files/screen_shots/lpqsp2b1.png http://www.quaketastic.com/files/screen_shots/lpqsp2b2.png Any comments, advice, aesthetic insights, and pointing out of dumb shit I overlooked are appreciated. Hi, I sent you an email with a 1st run on hard. Good looking runic oldschool feel to the map. Difficulty is very very very hard, could not complete even the first room after a dozen attempts. I suggest deleting a few monsters, or giving them a delayed, staggered spawn. Or create more line of sight blockers to hide them from all aggroing instantly.
Couldn't complete the map because I got stuck in a room after the plinth floated up when I pressed it... Looks very promising overall. Thanks for the demo!
One thing I want to make clear is that skill 2 is meant to be very hard, for people who normally find skill 2 too easy--I will make this clear in the readme. Obviously knowing the map inside and out it's hard to judge myself what's fair, so I'll keep that in mind. Ideally, if people could try skill 0 or 1, that would be great--if *those* are too hard, that's bad. In any case, I already noticed some important mistakes--you are *not* supposed to jump straight into the gold key elevator! Also, the I realized part of my last comment might make me look like a dick.
To clarify, I WANT skill 2 to be harder than most maps on skill 2. But I also want it to playable. Not trying to make a map that only speedrunners and Ubermensch can play on skill 2. I get what you're saying. You can make it really hard as long as there is some way to beat it I suppose. I did find normal much more manageable. I would definitely include a warning about hard mode.
The map does look really good though, I guess I should have said "coagula" as opposed to Episode 3. I would consider making the sky pure black as in coagula because the stars warp at the horizon. Or use a skybox in space/nebula maybe, because it is Arcane Dimensions and skyboxes are the thing to do. I suggest you check out Kells Signs of Koth page for some great space skyboxes. Also check out that second teleport I mentioned, I should have recorded it because I was trapped in that area... Nice work:) Pretty cool map. We need Qoth to play this map ?
Played in nightmare with God more on. Found a few bugs : once a button activated in that funky floating space (after a teleport), I returned there to see again and wasn't able to return back. Had to noclip. That floating place in space is ugly. It's really weird to be able to walk on a space full of stars. For the last button (below a crucified zombie), I got teleported back into (inside !) a zombie crucified on a wall. Was stuck there, inside that zombie, and had to noclip again. Got several cool monsters from Qoth as a surprise. I love those weird looking tentacles monster. They're so hilarious ! We need Qoth to play this map ?
Alright so here's a beta of my second proper map, for Arcane Dimensions.
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